All Mihaly Munkacsy Oil Paintings

1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
 

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Mihaly Munkacsy Making Lint oil on canvas


Making Lint
Making Lint
Painting ID::  98360
  1871(1871) Medium oil on panel Dimensions Height: 141.3 cm (55.6 in). Width: 196 cm (77.2 in).
  1871(1871) Medium oil on panel Dimensions Height: 141.3 cm (55.6 in). Width: 196 cm (77.2 in).

Height    Width


  INS/CM       Quality

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Mihaly Munkacsy Condemned Cell oil on canvas


Condemned Cell
Condemned Cell
Painting ID::  98361
  between 1869(1869) and 1872(1872) Medium oil on panel Dimensions Height: 87.5 cm (34.4 in). Width: 116.5 cm (45.9 in).
  between 1869(1869) and 1872(1872) Medium oil on panel Dimensions Height: 87.5 cm (34.4 in). Width: 116.5 cm (45.9 in).

Height    Width


  INS/CM       Quality

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Mihaly Munkacsy Christ in front of Pilate jezus przed pilatem oil on canvas


Christ in front of Pilate jezus przed pilatem
Christ in front of Pilate jezus przed pilatem
Painting ID::  98362
  1881(1881) Medium oil on canvas Dimensions 417 x 636 cm (164.2 x 250.4 in)
  1881(1881) Medium oil on canvas Dimensions 417 x 636 cm (164.2 x 250.4 in)

Height    Width


  INS/CM       Quality

X

  

Mihaly Munkacsy Apotheose der Renaissance oil on canvas


Apotheose der Renaissance
Apotheose der Renaissance
Painting ID::  98363
  1888(1888) Medium fresco
  1888(1888) Medium fresco

Height    Width


  INS/CM       Quality

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Mihaly Munkacsy Kutyacsalad oil on canvas


Kutyacsalad
Kutyacsalad
Painting ID::  98367
  1890s Medium oil on panel Dimensions Height: 73 cm (28.7 in). Width: 100 cm (39.4 in).
  1890s Medium oil on panel Dimensions Height: 73 cm (28.7 in). Width: 100 cm (39.4 in).

Height    Width


  INS/CM       Quality

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     Mihaly Munkacsy
     1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.

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